Our Emotions Are Real
Sixteen large-scale digital prints from wild, expressive neurodivergent paintings and drawings. Visitors can participate by using art materials provided on site to draw, dream, protest and tell their…
My writing spills out into visual art! Take a look
Sixteen large-scale digital prints from wild, expressive neurodivergent paintings and drawings. Visitors can participate by using art materials provided on site to draw, dream, protest and tell their…
Kind Hearts: Marlow Bottom, Buckinghamshire Very unusually, a picture is getting worked on for more than one hour and over more than one evening. This map is of…
An exploration of the use of metrics in mental health, by way of disordered poetics, visual text and the power of The Little Prince
‘My dad’s stories depicted in the images in this essay focus on his early life on the then new St. Helier housing estate on the Carshalton/Mitcham border in south London…’
Nicola writes: “Most of my visual work is life-writing. It’s an expression of feelings, thoughts, reactions, and stories from my life, and it’s evolved organically out of post-traumatic…
Nicola describes how she became interested in clay and various ways it can be used in art, specifically focusing on the use of clay as a way to express her feelings about her body, illness and the current political climate.
A sketchbook made during a visit to the ‘In the Studio’ galleries at Tate Modern, with my friends and colleagues from Studio Upstairs Croydon.
Artworks available as archive quality, numbered artist-proof prints at any A size. As a guide, around A4 is £50+postage and A3 is £60+ postage – unframed. For sales…
Confronting truths and demons, putting in boundaries and further analysing the existential and material conditions of inner life in capitalist society
text and visuals © Nicola Field 2007soundscape © Fari Bradley 2007voice: Clare CameronSteam Control 2008 She is not really the one they want, Not if they had the…
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